SB19 WEEKLY WRAP-UP

Week of September 3 – September 9

DISCLAIMER: These are only events and news that I was able to capture through various social media sites and obviously, it will not emcompass everything they did, simply due to the fact that I am not privy to all that information (unfortunately).

  • Stell completed another episode of “The Voice Generations Philippines”
  • SB19 broke millions of hearts in North America and made their way to the Philippines, prompting many Filipino A’Tin to tweet welcome messages to the beautiful country that they are visiting 🇵🇭🤣🤣🤣🤣💙
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  • Pablo’s brother, Joshua, broke Ponky’s heart by giving him a haircut before his Dad’s return, but on the upside, Tita Grace fed Pablo sinigang as soon as he got home, apparently
Credit to Josuengmusika
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  • JVKE, along with most of us, was feeling some type of way after his tour and posted 3 tweets within 2 days about SB19
Credit to JVKE
  • SB19 posted a video on their offical IG account to A’Tin, thanking us for our support on this tour. Pablo said that he knows that we will continue to support the group even if they list more dates coming up, to which I say “What?”
Credit to SB19 Official
  • SB19 went back to work the next day after their arrival home on something (I can’t post any pictures or videos since it was not a publicized event)
  • Character Media released a video with SB19 voting on several categories
Credit to Character Media
  • Ken posted an IG story of him singing “I Want You”, you know, just in case we’ve forgotten that he and his fine self can sing and sound like this
Credit to Felip
Credit to Felip
  • Josh posted a thank you tweet for Sofa Remix hitting 100k views
Credit to Josh
  • SB19 Official tweeted highlights from SB19 Pagtatag! World Tour Winnipeg
Credit to SB19 Official
  • Josh posted an IG story of his glorious back because well… why not?!?!
Credit to Josh
  • Ken sent a couple of tweets and posted on his FB page about his upcoming appearance on the Warner Music Presents concert in Singapore on September 12, 2023
Credit to Felip
Credit to Felip
  • Justin responded to a tweet by PureGold Ph regarding a joint project with his company, Visar Society
Credit to Justin
  • Ken posted an IG story of a chick getting a haircut because of his sisiws, or himself?
Credit to Felip
  • WishBus released the performance of “Liham” and made me cry, again. Loved it the first time I heard it, loved it live, love it now.
Credit to WishUSA
  • SB19 Official released the PPop Con 2023 Vlog
Credit to SB19 Official
  • Josh posted an IG Story that shows him visiting a skim care clinic.
Credit to Josh
  • Justin posted a series of pictures on IG as well as 2 story pictures: one of him after a visit to a dental clinic and another after his hair color touch up
Credit to Justin
  • Josh went live on his gaming stream and posted something about signs on IG stories
Credit to Josh and Daily Josh Cullen
Credit to Josh
  • SB19 Momshies completed another episode on their vlog, this time guessing SB19 songs. (Spoiler: Tita Grace won, although we all really won with the losers doing their own version of IWY 🤣💙)
Credit to SB19 Momshies

My Love Letter to the Love Letter That is Liham

… and why it always makes me cry

Credit to WishUsa

After doing my best to avoid watching WishBus’ newest SB19 release, I was finally granted a reprieve from work and was able to watch their “Liham” performance. It had come out a few days ago, but I wanted to make sure I had the time and emotional bandwidth to actually enjoy and appreciate it because if you don’t know already, this track happens to be my favorite from their SB19’s “Pagtatag” EP and has quickly become one of my favorite ballads EVER. Not just in OPM but of all time.

That being said, I’d be remiss to not say a word on this live performance, which, despite having seen numerous tweets about it, still managed to catch me by surprise and touch me in a way that other renditions hadn’t. I don’t know if it’s because the members were sitting down and were able to focus on their vocals or if it’s because I’m deep in post-concert depression/withdrawal, or it’s because I’m currently going through a particularly tumultous time personally, but the rawness in this performance made me cry. As in ugly-cry. I’ve cried over this song many times before, but this was a pull-over-by-the-side-of-the-road-while-I’m-driving-like-I’m-the-heroine-in-some-Korean-drama cry.

Their vocals were crisp and clear, highlighting each member’s unique sound and quality, coupled with the song’s beautiful melody and lyrics, made me emotional to the point of pain. I won’t go on about how it made me feel, because I think my love for this song is embarrassingly obvious (and to be honest, is not the point of this post), so I’ll just say the performance itself was wonderful.

That being said, I’ve had this draft in my blog folder since the first time I heard it, because I knew that at some point, I was going to do a deep dive on why and how this song has affected me in a way that none other has since Maxwell’s “This Woman’s Work” (the album version), which you can watch below if you are so inclined.

Credit to maxwell

I’ve loved OPM (Original Pilipino Music) my whole life. It was the music I grew up with when I lived in the Philippines, and my love for it was one of the few things I carried with me even when I moved to America. And while I enjoy Filipino music both in English and Filipino, those that are written in our native language hold a special place in my heart. One of the things that is distinctly representative of a country’s culture is its language. It’s something that connects and binds people. It’s what allows people to communicate and understand one another. To me, the Filipino language is one of the most beautiful in the world, and to hear it used in a song like this only magnifies that appreciation.

As background for those who are just learning about the Philippines through SB19, it is an archipelago comprised of 7,461 islands in Southeast Asia, directly on the Western Pacific Ocean. It’s divided into three main geographical regions: Luzon, Visayas, and Mindanao. Its capital, Manila, is in Luzon, the northernmost part.

“Filipino” is a broad term used to identify anyone who is born in or coming from the country, but this group can still be divided into different ethnicities and cultures, speaking in roughly 170 dialects. Throughout the country’s history, it has been inhabited by native people called Negritos, followed by different groups of people throughout the Austronesian regions who did trade with the locals, and then, of course, by the Spaniards, Americans, and Japanese.

I won’t go into the full history of these conquests, as there is more informative and detailed content out there for anyone wanting to explore further. I mentioned this history as this is what shapes the Filipino language as we know it today, which is a mix of all of the languages these groups of people brought with them combined with what’s left of the native language that the oldest inhabitants spoke.

This language, in itself, was identified to be the national language as a form of standardization. With so many spoken dialects within the country, it would be near impossible to communicate even amongst each other without one formal language being taught to its citizens. Tagalog, which is the subset from which it was derived from, has always been the most extensively used in both the capital and the rest of the country.

Why am I delving into this when I’m supposed to be talking about SB19, and, more specifically, “Liham”? Well… SB19 is a Filipino group and “Liham” is a Filipino song, in Filipino, and while you may not need to know all this to be able to appreciate SB19 and their songs, some base knowledge may be useful.

Now, back to “Liham”. Some of SB19’s most well-known ballads have been about heartbreak and unrequited love, along with a song dedicated to parents. It was surprising that in their most recent EP that they came out with a track as love-centric as this song. And believe me when I tell you that I have never heard a love song like “Liham”, where it actually speaks of a current, ongoing love and not one that has already ended in heartbreak. I think one of the only genres that tackle this subject is the American country genre, but unlike American country songs that run the gamut from when a relationship starts to as its happening to when it ends, a lot of OPM ballads, or at least the ones I’ve loved throughout my life, have mainly dealt with a relationship’s end. Pain, after all, is a great inspiration.

That it is written and sung in the Filipino language lends “Liham” more credence and gravitas. That it doesn’t shy away from deep Filipino words makes it even more meaningful and beautiful in its essence. There is a language we all use in our everyday lives, and there is one we normally reserve for more formal functions, such as poems and novels, and in SB19’s case, for the best love letter to ever have been written.

“Liham” stands on its own as a proud, undying declaration of an active love. It speaks to a love even higher than what I know of love. Or any love I’ve ever known. Like I said in my Washington DC review (read here) https://everythingesbi19.wordpress.com/2023/08/31/sb19-pagtatag-world-tour-washington-dc-concert-review/), “Liham” talks about the very best kind of love- “unconditional, all-encompassing, and infinite”. It is love that will survive any and all of life’s trials and tribulations and withstand the test of time. It describes a love that enriches and emhances a person’s life, providing certainty and a promise for the future. It is, in all actuality, the type of love we all long for and should strive for, a love that we not only want but also need and deserve.

It doesn’t even matter that there is not one “I love you” in its lyrics. It goes beyond that in what it did choose to say, which is “I will love you,” marking the phrase with intention and surety, not always something that we get in any type of relationship. Its reflective phrases, such as when it asks “Paano kaya kung hindi tayo nagkita (What if we never met)? Ang buhay ko’y matatawag pa nga bang buhay (Can my life still be called a life)?” are questions we often think in the midst of being in love but seldom say out loud because they are filled with vulnerability and fear, and those are the scariest things to feel in any type of relationship.

Its lyrics, juxtaposed with its musical composition, feel like a story in itself. The quiet moments leading up to its crescendo almost represent the highs and lows and the peaks and valleys that occur in any love story.

That the song’s intended recipient is ambiguous, whether it is God, their fans, or any romantic partner, means that it can be applied to any situation that the listener chooses. For me, being the hopeless romantic that I am, chose the latter.

In my life, I’ve been in love a few times. In most of those relationships,  I’ve been loved in return. But there has always been a feeling of inequality, wherein I was always the one who loved more. Hearing a song like this is both affirming and bittersweet, in that it reinforces that love like this exists, but also that I’ve not been the recipient of such love. It does, however, also makes me hopeful that such love is possible for me, and all of us, as long as we believe.

JVKE “End of Tour” Concert w/ Special Guest SB19: Recap/Review

The P-Pop Kings’ Glorious Entrance to the American Mainstream Stage

Disclaimer: Although I watched the whole concert, I will be mainly commenting on SB19’s performance.

On September 2, 2023, at 8:30 p.m. in the House of Blues in Boston, Massachusetts, P-Pop Kings SB19 opened for American singer-songwriter JVKE (Real name: Jacob Dodge Lawson) in the last concert of his “What Tour Feels Like” tour. I didn’t get to travel to Boston; due to how tight my work schedule was, I wasn’t sure if I was going to be able to take the weekend off to allow for time away. Boston is 717.3 (approximately 12+ hours) miles away from me by car, so that was just not going to be feasible. It’s fortunate that JVKE’s concert was also offered via Livestream on Veeps, so that’s what I opted to do.

I was told by those who attended the concert in person that there were two front acts who performed before SB19, but those of us watching this via stream did not get to see those acts. What we first saw, however, is the SB19 “Pagtatag!” background shortly on the screen before the opening strains of “Gento” came on along with Pablo’s greeting of “What up, Boston,” as he had every other city that they visited on their North American tour even before the lights turned on.

I have to say, even after having watched all the fancams from all the concerts on this “Pagtatag!” tour available on social media, after watching the official vlogs from the SB19 YouTube channel, even through just a screen in front of me, I got goosebumps as I anticipated their performance. As confident as I was and always am in SB19’s ability to perform live and to perform well, this is a very different type of stage than ones they’ve had to perform on in the past.

I am not talking about the physical stage, obviously, but the type of show this was and the audience they will be performing in front of. Unlike television appearances which are still quite controlled, this is opening for an American artist in front of over 2000 people live. Unlike busking in the streets and having casuals watch for free, this audience paid money to attend, so they will have expectations. Unlike the concerts in their own tour, there may not be many Filipino OR Non-Filipino A’Tin in the crowd, who are there specifically for SB19 and who already know their history and their music. Though there were many A’Tin who came to Boston to support in person, there were more of us present in the Livestream, and we could only offer so much support with a screen between us and them.

JVKE has 11.6 million followers on TikTok, with a total of roughly 180.7 million likes. This performance could either help solidify SB19’s footprint on the American pop music stage, or it could stop their growing momentum altogether before it even has a chance to really start. It could also mean getting noticed by international promoters, journalists, and producers. Basically, that night was not a good night to not perform well. Knowing what I know of Pablo, Stell, Ken, Josh, and Justin, I am sure they knew what was at stake that night. We all did.

The lights turned on, and we were able to see the group enter the stage and take their positions before the claps in the Gentro intro. It was this time that we were able to see how they were outfitted for the night, and I was happy to see Pablo back in the same type of top that he has been rocking lately, with something fringey in the back that makes it look like he is wearing a skirt. Everyone else also had the perfect balance of something a little tight and something loose, something soft and something hard, in the way they were outfitted. They were very well-coordinated in terms of their outfits that night, and they all looked visually stunning. Also notable was the return of Pablo’s ponytail and Ken’s sublime undercut.

“Gento” was performed with a lot of energy, with the choreography being executed at top tier level. Their voices also sounded very stable, which made me thankful that they had some time to rest and recharge from their last concert before performing in this. I watched the way they moved onstage, making use of the whole space, so gracefully and like a well-oiled machine. SB19 has mentioned in the past, “Practice won’t fail you,” and they were right. Their training, especially on a foreign stage like this, has served them well. They danced the choreography for “Gento” so fluidly, it almost seemed as it they were just working off muscle memory. They looked professional and poised. These are not the boys from five years ago, fielding completely inapproproate questions from judgmental journalists before their first single was even released; these are self-possessed and confident men who know what their talents are and what they can offer the world. They carried themselves with a stage presence and swagger that’s actually quite a contrast from their interactions with each other and with fans (as evidenced by all their variety shows, lives. and fan interactions during their concert), which are really very wholesome.

At some point during “Gento”, there was a problem with Ken’s earpiece, and for a couple of seconds as Josh and Pablo were performing their parts, we can see that he was trying to fix it before his part came on. A new artist would have panicked, but Ken is a consummate professional. He continued to dance the choreography even as he made quick adjustments to make sure he was ready by the time it was his turn, which he was, and none was the wiser. I would never even have noticed this moment had I not rewatched the concert several times after to write this recap/review.

Before SB19 continued with the rest of their set, there was a quick break for them to introduce themselves and in a strange turn of events, we didn’t get the usual “Get in the zone, break! We are SB19!” that we typically hear first. Instead, we have them introducing themselves by name, and these introductions were not accompanied by the titles that we fondly associate each member with, which I am sure was intentional, followed by the group’s collective “We are SB19”. With an audience largely made up of people who did not pay money to see them particularly, this presentation was necessary. But then Pablo said, “Hello everyone, we are SB19, and we are from the beautiful land of the Philippines,” and I actually started tearing up. Pablo said some words about “Gento” before Justin said a few words of thanks to JVKE and his team. Stell took the floor and said hello and thanked the audience watching on Veeps. Josh then took the mic and, of course, thanked the A’Tin, especially those who came in person, as many of them had to travel from many states away. Last but certainly not the least, Ken introduced their next song, which was “I Want You.”

As with any other time I hear “I Want You” sung live, I am blown away by the vocals in this performance. There were adlibs inserted in the way the song was sung that was different from the recording, but they worked. It made the performance feel special, where we would only hear this version of this song that night. Every time I looked at Josh’s face while he’s doing the choreography, I blushed because his facial expressions were just so… intense. Stell’s voice, as usual, was majestic in this, especially in his falsetto runs, and Justin, as well.

IWY was followed directly by one of their classic songs, “Bazinga.” I have to say that this song is like an ex that I will never get over for the rest of my life. I can not hear it for a long time and fall in love with other SB19 songs, but as soon as I hear “Bazinga” again, it’s like we never broke up. I absolutely love the message of this song and the way SB19 always performs it. From the live adlibs and the harmonies to the choreo, this song will remain a classic for me forever.

At this point, I was expecting the set to be completed since wow… this is a long opening act and all the songs that were performed had intricate choreography. I thought SB19 may be getting tired. Apparently not, since they saved another choreo-heavy song for last in “Crimzone”. Even though it was the last song and I can tell they were out of breath at times, the energy in their performance never abated. They performed the song like it was their opening song. When Pablo told people he wanted them to jump in the last moments of the song, to my relief, I actually saw bopping arms. My biggest fear had been that they werent going to be received well, and by the number of waving arms in the crowd during Crimzone, it seemed I had worried for nothing. Even the casuals who weren’t dancing looked interested at least, and that’s a start.

Before leaving the stage, Pablo thanked the audience that was watching, as well as proudly declaring one more time “We are SB19 from the Philippines” – this guy, I tell you, steals my heart every time he does that. There’s something quite irresistible about someone who carries themselves and their purpose with so much conviction, you know? Anyway, Justin then spoke about their social media platforms before Stell thanked Sony and JVKE for giving them the opportunity to perform. Josh thanked the earlier performers before Ken thanked A’Tin again for our undying support and, of course, their newfound little brother JVKE lol. They said thank you again before saying “Maraming salamat po” and exiting the stage.

All throughout JVKE’s concert, I had one thought going through my head absentmindedly as I watched him perform his songs- quite beautifully, may I add. I was not familiar with him before the “Golden Hour” collab, because I only signed up for TikTok a couple of months ago to fangirl over SB19, and it is this particular song that I was wondering about- whether it would be performed live in this concert with SB19 as a guest. When he started playing “Golden Hour”, and there was no movement on stage, I really believed that this performance was not going to happen.

Until JVKE spoke after the song and said that since SB19 had made a remix of “Golden Hour”, and they just happened to be there as his special guests, he had the idea to perform the song together. He then proceeded to sit back on the piano and play the song, when midway through, SB19 members came in wearing… wait for it… pajamas and sleepwear, which perfectly matched JVKE’S outfit. Ken and Josh looked particularly fetching in this type type of clothing; it actually made me think of their Showbreak episodes where they were just casually hanging out. Justin’s has always been my favorite part of the song, which he performed wonderfully, and Stell was living up to his label as the “heavenly voice” as his voice rang loud and clear as a bell all throughout his part. I think we can all agree that Pablo has always been the MVP in this song, though. The harmony and second vocals he provided all throughout the song made SB19’s part so much fuller, so much brighter, and so much more SB19 than it would have been without it. We know Pablo wrote these lyrics; his signature was on every line of SB19’s parts. He could have written himself a part, but instead, he took a step back and let the others shine instead, while supported by him. That is what a true leader does, and Pablo does it time and time again.

By the time JVKE and SB19 actually started singing together, it fet like we were all in this surreal celebratory mood, with butterfly-shaped confetti falling down onto the audience. All the artists looked so happy, and Pablo was even doing pirouettes onstage. SB19 congratulated JVKE and thanked him while they shared hugs on stage, JVKE reciprocated by hyping the crowd to show support for SB19, calling them “amazing” and telling them he loved them 🤣🤣🤣🤣🤣, thereby reiterating that we need to adopt him as their sixth honorary member as soon as possible. This was finished off with a group picture not unlike every end-of-concert group picture taken by SB19 during their Pagtatag! Tour.

Credit to SB19 Official

My Thoughts:

Every concert should have a livestreaming option. This particular streaming site did an amazing job capturing SB19’s performance. The image quality was top notch, as was the music quality. I know that we didn’t get to hear much of the cheering that the crowd made with their mics, but I’m sure this is how they are set up to isolate the artist’s performances. It truly was the best of all possible situations for us who weren’t able to travel to the venue, and for $14.99, that price cannot be beat for the purpose of allowing us to see the concert in real time.

As I had mentioned before, I didn’t know anything about JVKE before SB19 made a remix of “Golden Hour”, but I have to say that this concert inspired me to get acquainted with more of his work. He seems to be very down-to-earth and grounded in who he is and what he stands for. It’s not every day that an artist proudly introduces a song about God and performs it, regardless of whatever spiritual orientation his audience may have or whether they would take offense. It was very heartwarming that he thanked his brother for helping him with his music and that he brought out his mother to the stage at the end of the concert. I’m not sure if he knows it yet, but he will forever have a place in the hearts of A’Tin around the globe. He gave SB19 the opportunity, something that they so often had to fight and prove their worth for throughout their career, so openly and so graciously, to show their talent (and P-Pop by extension) to his fans. This is a kindness that had not always been extended to our boys, and judging from the happy looks on their faces after the concert, they truly appreciated it and this was a moment that they’ll remember and treasure.

Lastly, and most importantly, this concert reinforced to me once again how lucky I am that I support such consistent Kings. Their performances never fail to amaze me. Their vocals are always on point, considering how much dancing they are doing, and their choreography always slays. I hope that this appearance in such a mainstream stage will open up more opportunities for them in the future and further aid them in their goals.

SB19 has always been very vocal about what their ultimate objective is: to elevate the Filipino music industry, to break into the global music scene, and to raise awareness for Filipino talent. This is a purpose that they take with them wherever they are, along with the love for their country. This can be heard in their constant and consistent use of the Filipino language in their songs and in the way they proudly declare where they are from. This is reflected in the way they present themselves to the world, knowing that they are representing their country and people. Seeing them live even as special guests in this concert brought me such happiness and pride. I knew that they would inevitably have to head back to the Philippines (and by the time this is posted, they have already returned to the Motherland), and it may take some time before they’re back in North America again. That being said, it was the perfect way to end what has been, by all accounts, a very successful tour.

I will always be thankful that my summer of 2023 became my summer of discovery. Not only did I discover the wonder that is SB19; I also rediscovered myself and what brings me joy. Loving SB19 enabled me to connect with other A’Tin who I now consider sisters, brothers, and friends in this fandom, and that, in itself, as a Filipina raised abroad who, either by choice or circumstance, is often isolated from people who share the same nationality, experiences and/or interests, is a gift I can never fully repay.

SB19 WEEKLY WRAP-UP

Week of August 27 to September 2

DISCLAIMER: These are only events and news that I was able to capture through various social media sites and obviously, it will not emcompass everything they did, simply due to the fact that I am not privy to all that information (unfortunately).

  • Stell completed another episode on “The Voice Generations Philippines”
  • Josh made an appearance to perform his solo work on the Wish Usa Bus, amazing us all with his overflowing charisma and manners (he did a “mano po” to an elder A’Tin!).
  • Ken posted a dance cover of Ateez’ “Bouncy” on his TikTok.
  • Guest appearance on PIX11 New York Living and were basically called “good-smelling” and “gorgeous”, which, duh. There were issues with the mics and the sound, but SB19 did great as always and slayed. Stell, Ken, Justin, and Josh all looked amazing, but Pablo in that skirt outfit looking like some emo highlander was hot.
Credit to PiX11 News
  • Busking in Times Square with A’Tin and casuals. SB19 performed “Bazinga”, “Gento”, and “Crimzone” in front of hudreds of people for an envimediaco project. Stell blew a kiss to an international A’Tin who almost passed out, to which I say, “same, girl, same”. Josh and Justin pretty much thrusted all of us out of existence. Pablo continued to wow with his skirt and Ken, well, he just continued to wow by existing.
Credit to ABS-CBN
  • More K-Pop idols did a dance cover of “Gento”, including Enhypen’s Jungwon
  • Pablo and Stell did the Super Bass challenge on Stell’s TikTok
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  • A Vietnamese singer did a rendition of “Hanggang sa Huli”, and apparently, this is now a thing.
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  • Pablo, Justin, and Stell watched JVKE’s concert in NYC. I would have assumed Ken and Josh were there as well, but I only saw pics of the three.
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  • MAHALIMA (minus Stell) held a Watsons Playlist Press Conference in preparation for their upcoming concert in the Philippines with Ben & Ben and Zack Tabudlo, with BINI as a special guest.
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  • The in-studio video of “Sino Ka Ba” with Pablo and Josh was released, and, I must say, the song hits harder when you see clips of the show it’s for.
Credit to ABS CBN
  • Ken posted an IG story looking and sounding fine as f*ck.
Credit to original owner
  • SB19 Official TikTok account posted a video of Stell, Pablo, and Justin dancing.
Credit to SB19 Official
  • Ken posted another IG story that was deleted as soon as it was posted of him playing something on a piano and beatboxing.
Credit to Siwperiors
  • SB19 Official released the vlog for the Pagtatag!World Tour: Bacolod
Credit to SB19 Official
  • Ken released another TikTok of him dancing to Enhypen’s “Bite Me” because apparently, he doesn’t sleep while abroad.
Credit to Ken 🤣
  • Josh released the lyric video a few days before the MV for “Sofa Remix” was officially out, proving once again that he is definitely all for “wildin out” and that the camera loves him… and his relatives and friends, apparently. Sidenote: I thought I was a kamag-anak, so where was my invite, huh?!?!

Watch Sofa Remix MV here

  • Ken released a story of him painting his nails and honestly, I’m now looking up “how to be nail polish”
  • Both Stell and Jah posted pics of their shoes on Instagram, with Stell also posting another back shot of our MAHALIMA and promoting The Voice Generations.
Credit to jahdedio, stell16_ and officialsb19
  • SB19 Official posted the same two photos above, along with two other pictures of the members having a great time as we celebrate the anniversary of the tweet that changed everything.
  • SB19 performed at JVKE’S “End of Tour” Concert with a setlist that included “Gento”, “I Want You”, “Bazinga”, and “Crimzone”. They joined JVKE at the end of the concert to perform their beautiful “Golden Hour” collab. Recap and review to follow.
Credit to SB19Official

SB19 to Perform at JVKE’s “End of Tour” Concert on September 2

Will the P-Pop Kings be singing “Golden Hour” live with JVKE?

CREDIT TO THE ORIGINAL OWNER

As everyone probably knows already, SB19 recently collaborated with American singer-songwriter, producer, and social media personality JVKE (real name Jacob Dodge Lawson) on his song, “Golden Hour”. The group’s contribution to this song was decidedly Filipino, with intentionally used Tagalog lyrics, and showed off each members’ talents. Though Pablo took a step back from singing an actual part in the song, you can hear him in every part of its lyrics and in the subtle but impactful second vocal when Stell sings the second chorus.

CNN interviewed both SB19 and JVKE together and spoke about their collaborative process and experience here:

Credit to CNN Philippines

During this interview, Pablo mentioned that they hoped to meet JVKE at some point, or even while they’re on tour. JVKE also said that he would like to meet SB19.

It seems the stars have lined up for this to happen, as JVKE has confirmed that SB19 will be making a guest appearance on his September 2 “End of Tour” concert in Boston, leaving all of us to wonder whether they will actually perform their collab song “Golden Hour” together. We won’t have to wonder too long, though, since this concert will be available to stream for those of us unable to make it to Boston.

I’ve already bought my ticket to this, and I will post a concert appearance review once the concert is over.

To purchase live concert tickets:

JVKE “What Tour Feels Like” Sept 2, 2023 House of Blues, Boston, MA

To purchase tickets to the LIVE stream:

JVKE “End of Tour” Sept 2, 2023 Live Stream 8:30 a.m.

What to Expect as a Brand New A’Tin

An Unofficial Guide to Navigating Fandom Life with Humor and Perspective

Disclaimer: I am, by no means, an SB19 expert. I know a lot, but I am also still learning. This post is about what I’ve recently seen and experienced as someone new to the A’Tin fandom and all the things I’ve recently learned. I hope it helps some new fans, like me. Again, please note that this is from my experience only. If I missed anything, please feel free to drop a line and let me know. 

You are going to lose sleep… A LOT of it. 

When I fell down the SB19 rabbit hole, it felt like I would never have enough time to go through all the materials online. Their official YouTube channel has music and lyric videos of all their EPs, the “making of” of their MVs, all their Wish Bus Performances, Dance Practice Videos, SB19 Variety Shows, and Group and Individual Vlogs. Outside of that are interviews, quasi-documentaries, guest appearances, and special performances. And when you are done with that, there are reactions to everything I just mentioned above that you will want to watch. 

You will think you have covered all your bases and you couldn’t possibly have anything else to look at, until you realize that SB19 members like to go Live at random times of the day. If you are lucky, they will not be in the middle of a world tour, and all you will need to know is Philippine time from wherever you are in the world. However, if, like me, you happened upon them in the middle of a world tour, forget timing sleep schedules around when they MAY show up live. It’s a mystery you would never be able to unlock, just like you will never be able to predict WHO will be going live or who will make an appearance.

The pros: You will realize that you may be able to live on less sleep than you thought you needed. Also, you will get to know SB19 at a record speed. 

The cons: You will realize that without sleep, you become delirious, which may further decrease your chances of catching SB19 live.  

The solution: Put notification alerts where you can, but please, for the love of God, sleep.

You are going to become a historian/biographer/documentarian/private investigator.  

You will notice as you watch all the content online that you can literally track SB19’s journey from 2018. You will know their debut single, what actually catapulted them into fame, and what their goals are. You will learn their histories, their personal experiences, and how they became part of SB19. You will start remembering these details as if it’s your own story, and it is. Because as part of A’Tin their history will become your history, and it is one that the whole fandom treasures dearly. 

You will know the members’ likes and dislikes, their habits and whatever routine they show us online. You will get to know their families and even their pets! The beauty of SB19 is that Pablo, Stell, Josh, Justin, and Ken have always been transparent about who they are as people and where they came from. They’ve included us in their triumphs and hardships, so it will literally feel like you know them personally, even if you’ve never met them in person before.

The pros: You will be able to recite SB19 history facts to anyone and correct the misinformed. 

The cons: You might become over-vigilant about the details and correct anyone who you feel may be inaccurate about their information.

The solution: Whenever you are facing a situation where the urge to correct feels so huge it will swallow you whole, take a step back and think about whether you are correcting for the sake of educating or correcting for the sake of feeling superior. There is a difference between the two. We love our OG A’Tin who have been here since the very beginning, but some of us just joining the fandom or just discovering SB19 for the first time will not always get it right. We may ask questions, and some of them may sound silly, but answer them anyway. We may say some things online that may not always be in line with what the fandom wants, so please correct us, but stand with us anyway. Please remember that all of us have the same purpose.

We would like to support SB19 too, like you do.

We would love to know SB19 too, like you do.

We would like to love SB19 too, like you do.

Your social media footprint is going to become large. Like real large. 

I have only ever used Twitter maybe a handful of times in all my years on this earth (and I do not regret this one bit), and I didn’t even have TikTok account until I became an A’Tin. I use Facebook with barely repressed displeasure, and I don’t think I have even heard of Discord (I am really aging myself here). 

In the space of the six weeks that I spent barely able to stomach anything not SB19-related, I found myself updating Facebook and following the group and the individual members there. I reactivated my Twitter and started following official accounts, unofficial A’tin accounts (large and not so large), and casual SB19 watchers. I ended up signing up for a TikTok account after vowing to myself (and my boyfriend, who is my one follower) that I would never do so, all because I heard that’s where the members go live mostly (unless you’re Pablo and you surprise us with a FB Live mid-tour). Now I’m on Discord, and while I’m still not quite sure what happens there, I’ve been exploring it little by little. 

My life has suddenly become very busy.  It used to be that I would wake up and get ready, work, and then go home. I spent whatever free time I had with the love of my life and my pets. But now, I have no free time. Between checking all social media sites for updates to watching new videos daily to doing whatever fan activities we do (like requesting songs or voting) and chatting with newly found A’Tin friends from all over the world, my schedule has become extremely hectic. 

The same might happen to you. 

The pros: You will become tech savvy, and you’ll find that you’re actually spending your time online more efficiently. You also become laser-focused to everything SB19 related, so you’re actually getting a lot of things done with whatever time you have, whether it’s little or a lot.

The cons: You might find yourself conflicted by the fact that you’re no longer invisible online. Also, you might get carpal tunnel syndrome. Seriously. 

The solution: Stretch between online activities and put the phone or tablet down whenever possible. Use a wrist rest when using laptops or desktop computers. Accept that you’ve probably given up your online anonymity forever. It’s okay. All of us have. 

You will never be able to give up your day job.  

Being a fangirl/fanboy is not a cheap enterprise. First you have to have some type of device to actually listen to their music or watch their videos. Then you will need an actual internet connection. Sure, we can get away with using free wifi but who wants to fangirl or fanboy in public when you can do it to your heart’s content in your own private space? 

If you’re lucky, you will live somewhere where you can attend a concert at some point. So there’s concert ticket costs, not to mention travel plans because of those concerts. That means planes, trains, and automobiles, hotels, and of course, meals (because we have to eat, right?!?!). There’s outfits and gifts to buy, too, if you so choose. 

Concert or no concert, you will want merch. Lighsticks, banners, t-shirts, picks, posters. You name it, we want it. If they’re selling it, we’re buying it. 

Such is the nature of being a part of a fandom. But you need money to do this, which means you can never quit your job. Like, ever. 

The pros: You will find a new or renewed purpose to go to work. Your budgeting skills will probably improve. 

The cons: What was once disposable cash is now not so disposable. Also, work may interrupt you from doing what you actually want to do, which is just focus on SB19.

The solution:  You may have to set aside part of your income to fan activities only. Whether in fangirling/fanboying or in life, please don’t spend more than you can afford. Prioritize your needs and wants. Work is work. Being a fan is also work. Learn to balance both. 

You are going to start using words that no one else except others like you will understand. 

There’s a different language in the fandom that might mystify you at first. Words like kaps, ssob, pins, mahalima– what do they all mean??? Rest assured, the more you come across the words, though, the more comfortable you will be seeing them. Understanding becomes a natural thing, and then, you will start using them. Online only, at first (I mean you have some type of self-control), in posts and tweets. But then inevitably, you will start using them in conversation. 

People will look at you like you’re speaking a brand new language, and you are. It’s A’Tin language. It’s our language. It’s like speaking in code, in a way that only we know, understand, and appreciate. This will be the language that binds us as a fandom, regardless of where we’re all from. 

The pros: You will amaze yourself at how quickly you adapt to this new way of speaking. 

The cons: Others may judge you for immersing yourself so deeply in a fandom that you’re now not speaking like yourself. 

The solution: It’s not a problem that needs solving. They don’t know what they don’t know, and that’s their loss. 

You will start identifying yourself as food, and you may get confused now and again. 

Soon, you will start seeing these emojis, and initially, you will be confounded again. But, having watched all of SB19’s variety shows and now with a circle of more established A’Tin around you, you will know what they mean and who they represent. 

A quick guide, in case you didn’t know, of the members, their food emojis, and their houses:

🌭= hotdog/Pablo – freezer

🍓=strawberry/Stell – strawberry farm

🐔/🐤/🐥=sisiw/Ken – poultry house

🍢=inihaw(bbq stick)/Josh – bbq shop

🌽=corn/Justin – cornfield

There is no way around it. You will find yourself identifying with one specific food. You may visit other houses, but you will, ultimately, find a home in just one once you discover your bias, your ultimate favorite. This is the one member you like the most, admire the most, or resonate with the most.You will think about this member and most of your online posts will probably be about him. 

It doesn’t protect you from temptation, however, and you might swerve. Just like while you’re driving on a road- sometimes you’ll swerve softly, and sometimes hard. There will be times when you will seriously reconsider who your bias is, but it is NOT your fault. It’s your bias wrecker’s fault. It’s like having the guy that you love and want to be with, but your focus is taken away by someone else that, for some reason, you just cannot resist. 

Believe me when I tell you I’ve had a first bias, and a first bias wrecker. My bias wrecker is now my main bias, and another has taken his place as my bias wrecker. And then I saw them all in person, and I’m confused again. You’ll get confused, too, and this is the one time in life where it’s perfectly okay. 

The pros: Having a bias makes you more focused and opens up a whole new world, as far as meeting other fans who only follow one member. 

The cons: Navigating biases in a group like SB19 can be a tricky thing. It sometimes divides the fandom when a perceived issue comes up and fans start warring with one another to protect their favorite. Also, it’s not so much fun when you don’t know which house you belong to, but it’s ok that you endlessly (but not aimlessly) wander between all of them. 

The solution: Respect that as individuals, we will have our own preferences, but remember, that we are a part of a greater whole, just like they are. SB19 members have been together for a long, long time, and they had one another before they had us. They are inextricably tied together, just like we are, as the fans who love them. We can only help them reach their goals by putting all our efforts and resources together for the good of the whole group. So yes, you may have a home in an individual house, but we are all family, or, at the very least, friendly neighbors 💙

You might get scolded. 

If, like me, you’re not used to fandom culture and etiquette, a time may come that you will get scolded by an OG A’Tin or gently corrected. It comes with the territory when you’re just entering a well-established fandom and are only just learning. 

A’Tin likes to remind us that none of us are beyond reproach. If you dig long enough, you will find a tweet from our Pinuno, Pablo, correcting the use of A’Tin in plural form, which, in English, equates to adding an “s”. It seems an innocent enough thing to do, but Pablo reminded us that A’Tin is, in fact, a collective noun, and adding this “s” is not only unnecessary but grammatically incorrect. 

There are things that we may want to say in a public arena (i.e. social media sites) that do not necessarily align with the rest of the fandom. Even if it is only our personal opinion, if it can have an effect on the group, you can expect other members of the fandom to reach out and express their concern. This may feel disconcerting at first because, of course, our own opinions are valid, and we should be able to express them, but just know that there is nothing malicious about it.

The pros: We become informed AND educated fans.

The cons: It’s a little humbling at first, but soon you’ll realize it’s not personal. It’s difficult to put aside our pride and egos (I know for me this is, and has always been, a challenge) for the greater good of the group. 

The solution: We are all still learning, and, of course, part of that is making mistakes and learning to correct them. Being part of a fandom is like being part of a family, and just like in a family, we have to look out for one another, and that involves being self-aware of our behaviors and what we say, as it will not only reflect on our fandom, but SB19 as well. 

There will be people who don’t need to know anything about you except that you’re an SB19 fan to hate you. 

That being said, there are fights worth fighting, and it’s not so much a war but a defensive strategy. Believe it or not, SB19 still has haters. And that hate will inevitably be directed against the fandom as well. It can even be the other way around, where other fandoms attack A’Tin and end up criticizing SB19. 

The first instinct may always be to protect and attack back, but as an established fandom, A’Tin doesn’t have the luxury of reacting without thinking. We are aware that everything might carry over to how casual observers and people in other fandoms see SB19. So sometimes, we must take the high road and be the bigger person, because that’s what SB19 would want us to do. 

The pros: You will never be alone in this battle. A’Tin all over the world will support you and be alongside you in these conflicts. 

The cons: You might get so used to being on the defense that you may end up overreacting at any slight provocation. 

The solution: Expect that people will still compare SB19 to KPop. Expect that there are people who will talk crap about the group still. Expect the naysayers. SB19 weathered those storms before they got to where they are now. So if we must weather them too, then that’s what we will do. And just like SB19, as a fandom, we will do it together. 

You’re going to start learning Filipino, whether you like it or not.  

Most A’Tin are Filipinos, and posts about SB19 are often a complex mix of Filipino and English, due to the fact that the majority of Filipinos are raised bilingual. The language is not such a barrier in these conversational interactions. 

It is, however, not so much a barrier but just another nuance in supporting a Pinoy Pop group that we must consider.  Because while SB19 has some English-heavy songs (like “Bazinga”, “WYAT”, and “I Want You”), most of their discography are in Filipino. Pablo and the rest of the group have always been very vocal about their goal of introducing Filipino music to the world, and a big part of that is its language. 

We don’t have a fan chant- A’Tin doesn’t really need it since we know most or all the words to their songs by heart. You can memorize the words of the songs to start, so you can sing along. But to fully grasp the meaning of their songs and appreciate the songwriting, you will want to familiarize yourself with some Filipino words and with what they actually mean. That’s when the magic truly happens. Think of how much harder “Hanggang sa Huli” hits, when you know that “Mahal kita” means “I love you”. 

The pros: You will learn another language. Or for non-Filipino speaking Filipinos, you will start learning it again. And for Filipino-speaking Filipinos, you will appreciate the beauty of our language. 

The cons: It might get confusing as you start toggling between English and Filipino. You might get self-conscious about your pronunciation.

The solution: Don’t worry about it. SB19 loves hearing all their fans, Filipinos and international alike, sing their songs in their native language. No one cares about pronunciation. We just love and appreciate the fact that you’re trying. 

If you are a Filipino or part-Filipino abroad, you’re going to start thinking about going back to the Philippines. If you are neither, you will start thinking about going to the Philippines. 

SB19 talks about the Philippines and being Filipinos a lot. This may cause international fans to be curious about the country and Filipino fans abroad to want to reconnect back with the motherland. Videos of SB19 concerts in the Philippines may serve as fuel for the fire to travel there and experience that energy firsthand. 

Next thing you know, you’re looking up flight prices and debating with yourself about your ability to withstand the long flight. 

The pros: The Philippines is actually a great country to travel to. The most expensive thing you’ll pay for is the flight; otherwise, the dollar and international currency stretch quite a bit there. 

The cons: The flight is long, and it’s hot in the Philippines.

The solution: If you can, go! Make your plans and go when you can. You’ll probably understand better why SB19 and Filipinos love the Philippines once you’ve visited. The country is full of friendly and hospitable people, and if you haven’t tried it yet, Filipino food is freaking delicious. Just make sure you book a hotel or airbnb with air conditioning. 

You will talk to everyone about SB19. 

My first victim was my sister, then my mother. And then I moved on to my boyfriend. And then everyone I know. And then everyone they know. I’m pretty sure I’ve become somewhat repetitive in my mission to expose as many people as possible to SB19 and their music. 

With SB19 gaining traction internationally, I believe that now is the perfect time to introduce them and their music to everyone. Some may be receptive, others not so much. If I could even pique one person’s interest, I would consider that a win. If talking about them means that their name might be remembered at any given moment, which could result in someone new looking up one of their music videos, then I’m good with that. If being looked at funny because I seem focused on the group means that it will help them move towards their goal by even an inch, then it’s worth it. 

Being a fangirl comes with its own set of challenges. Not only is there a bias in the wider society that those who engage in fan behavior are “crazy, obsessive, desperate, shallow, and hysterical”- directly quoted from a Hot Press article by Selina Juengling in September 2022, there is also a misunderstanding that all of us are not only young, but mostly female. We know that’s not true. A’tin has a multitude of fanboys as well, and the last time I checked, SB19’s fans come from all walks of life and all age ranges. 

My point? Those who judge us don’t actually have any idea about what fandoms are made of and what we stand for. With them not knowing anything and not knowing what they don’t know enough to want to educate themselves, they don’t count. Their opinion is irrelevant. They can keep doing them, and we will keep doing us. 

The pros: You will get to practice your public speaking skills. You may convince a few people to listen to SB19 music, and once they do, you will be converting casual (partly coerced) listeners into A’Tin themselves. This last part is the easiest because we all know that all we need to do is put SB19 in front of people, and the rest will follow. You will also gain a multitude of online friends, as A’Tin as a fandom are very friendly, welcoming, and always down to talk about anything and everything SB19. 

The cons: You might get judged. 

The solution: Take every criticism and unwarranted opinion that is thrown your way with a grain of salt and go on your merry way. YOU were doing THEM  a favor by introducing SB19 to them. Everyone has different preferences, after all, and who are we to tell them that theirs is wrong? But they are wrong, as far as I’m concerned. Just kidding, or am I?!?!

Your dating/personal life may suffer.

Perhaps one of the hardest parts of being a fangirl/fanboy is that it takes a lot of time to devote yourself to both a partner in real life and also your group and/or bias. I know my not-given-to-throw-tantrums-boyfriend, when I first discovered SB19 and was fully immersed in my discovery, all of a sudden became very pouty. He would demand my attention more frequently and would be a little salty that my focus is elsewhere. It doesn’t help that all my fan activities are connected to social media, and it seems that I’m glued to my phone at all times. So, if you’re coupled up and your partner is not yet an SB19 fan, they may get jealous (it’s a very real thing). 

If you are single, then it may get even more difficult. You might start comparing every potential partner to your favorite bias, and they may not meet your expectations. Sometimes they’re better, oftentimes they’re not. 

The pros: You will always a jowa in Stell. I mean he introduces himself as A’Tin’s eternal boyfriend. You may even convince your partner, if you have one, to become a fan of SB19 as well. 

The cons: No one in the real world may ever live up to the fantasy. And if you are a part of a couple, you might get lectured on how much time you’re spending on fan activities online. 

The solution: Make room in your life for love in all aspects. Love for SB19, and love that you can actually feel and touch. Let SB19’s love songs inspire you to love more and harder. Bask in the knowledge that true love exists, because as one Twitter friend (@sb19comebackpls) told me, “If artists like SB19 can sing about it, then it’s real”. Appreciate what you have, and for those who aren’t currently a part of a couple, anticipate what’s to come. 

Prepare to live a double life.  

We can’t always go around talking about SB19 all the time and still live a functional and productive life. As I’ve mentioned before, there’s real life obligations to our partners, families, friends, and jobs. Some of us balance this better than others. Just like some of us are more comfortable not being openly vocal about being part of a fandom. 

With so many biases against being fangirls/fanboys, it’s understandable that some may not want to reveal to those around them that they are one or the extent of their participation in a fandom. That is absolutely ok. We all choose to handle things in our lives in the way that works best for us. 

We are all living double lives, although in varying degrees and extent. There is nothing wrong with that, as long as nothing in your life suffers. For me, being a professional means maybe not talking about my love for SB19 as vocally as I would inside my workplace as I would anywhere else. 

The pros: We become quite adept at multitasking and compartmentalizing. These skills will not only benefit you as a fangirl/fanboy; in fact they can be applied to every aspect of our lives. 

The cons: It might feel like we are not being our truest and most authentic selves all the time. 

The solution: Remember that part of our mission as a fandom is to spread the positivity that SB19 brings into our lives to those around us, and that also extends to how we treat ourselves. Know that whatever you do as a fan is always based on love. Spread the passion that led you to the SB19 fandom to all parts of your life and watch it blossom. 

Final words

I, as a baby A’Tin, welcome you to the best fandom in the world. I hope you’ll love it here just as much as I do. Let’s continue to support Mahalima and one another in their (and our) quest for world domination. Mabuhay!

SB19 Pagtatag! World Tour: Washington DC Concert Review

Thoughts and Reflections on the Brilliance and the Burden of the P-Pop Kings

An Introduction

I’ll start off with this: I didn’t discover SB19 until about 6 weeks ago. It was actually accidental- in the absence of anything to watch on Netflix, I was casually watching WishBus reactions on YouTube. 

I enjoy music. I especially enjoy Filipino music. But my taste in Filipino music ran more towards the old school classic types. A background: I left the Philippines when I was 13. I haven’t been back since, but I had been old enough to remember many things when I left: the heat, holiday traditions, favorite foods, movies, and, of course, music. 

The music that I loved ran parallel to the music my father, my Papa, had listened to: a mix of OPM (which strangely is classified as pop though it consisted more of musical groups such as Apo Hiking Society and ballads from Martin Nievera, Gary Valenciano, Basil Valdez, Rey Valera and, at that time, Kuh Ledesma) and popular songs from Western groups (the Beatles, Bread, Chicago, Air Supply and Queen) and artists (like Michael Jackson, Michael Bolton, Madonna and Whitney Houston). As I grew up, my taste in music diversified (as it would)- I gravitated towards Motown type, RnB music and then, eventually, singer-songwriter music and yes, even a bit of hip hop and EDM. I continued to follow Filipino music, but it was very specific to certain artists and songs (Regine Velasquez was my absolute favorite). 

There is a duality to being Filipino-American, or, more specifically, being a Filipino American who emigrated as a child or teenager but grew up in America. If a Filipino was born in the US or came here as an infant or child, being Filipino was neither here nor there. Being raised in a mainly American environment, going to American schools, and having American peers assured that being an American was what felt “normal”. Filipinos who came as adults are already established as Filipinos, grounded in its traditions and culture, their roots firmly rooted back in the Philippines even though they are somewhere else for various reasons and purposes.

Me, not so much. I’ve always described it as a surreal experience, like having a life split in two: a before and after. I had been old enough to remember life in the Philippines and to carry parts of it with me as I grew older, but young enough to be molded into an Average American (which I’m sure is the dream of every immigrant or even first gen immigrant child). 

I grew up in the suburbs of New Jersey, where being Filipino was still a novelty at the time (there were only 3 of us in my graduating high school class). My parents chose the town for its proximity to the main cities in the Tri-State area and for its schools (which, admittedly, had been the right choice.) I was asked when I introduced myself on my first day of school ever in an American classroom whether I came here by boat. There had been no malice there, just naivete and curiosity. But that was when I realized that my life was going to be different. And so for years I dulled my Filipino-ness to fit in, to force acceptance in a society where I was not part of a majority, where I was neither white enough or black enough to belong in either groups. For years, I judged myself against Western beauty standards, and allowed the voice inside my head to be swayed into believing that being different was bad and that I needed to conform. And so I did- it was just easier that way. 

Why am I talking about this? Because I will not only be talking about the concert but every single step that led me there and why, even a few days after the aforementioned concert, I am still thinking about SB19 and how they have managed to imprint themselves on my consciousness. 

Fast forward to 2023, I have done an adequate job of becoming an Average American Adult. I graduated college, got into a respectable profession, and pay taxes. I bought a house and cars. I pay bills. I am not only an Average American Adult, but a Responsible one. I travel and read. I enjoy food still. I watch Youtube mainly for mindless entertainment. I thought my musical taste was established, just like my habits and routines. 

Enter SB19. 

The first video I saw was, ironically, “Gento”, performed on the WishBus. My auto-play setting had been on, and it came on automatically, simply because I had been watching WishBus performances. I’m pretty sure I was scrolling down Facebook or doing some other thoughtless, tedious thing when the song came on. What I first I noticed was the large crowd outside the bus, which was very unusual. Footages of the audience were rarely shown in the performance videos posted, if ever. 

I was confused. Who ARE these people?

At this point I didn’t know the members- not their names, their roles, nothing. I thought Pablo had great hair, Justin was cute, and Josh looked like a badass. I couldn’t figure Ken out. I thought Stell was so classically beautiful. Also I thought they all had impeccable skin. 

And then they actually started performing and I was blown away. The song was so far removed from every other Filipino song I have ever loved my whole life, with strong rap lines from Pablo and Josh, followed by Stell and Justin’s pre-chorus, an EDM break and then back to Josh and Pablo, and then Ken with his “no rush I can do this all day” then back to Josh and Stell and finishing with the Arabic flute instrumental. I wasn’t sure how I felt about the song, at first. And so I listened again, and then again. At this point you have to remember that I’ve never heard of any of their songs before, so the change in melodies, song pace, and rhythm gave me whiplash. It was dynamic, exciting, and felt like a far cry from the OPM I know, in the very best way.

And that, right there, was how I fell down the SB19 rabbit hole. For the next five weeks, I spent every available hour watching all their music videos, interviews, variety show videos, and individual vlogs. Then, when I’ve watched all their videos, I started watching reactions to their videos. I excitedly shared their music to my younger sister. My reaction to their music, along with their stories, was almost visceral. So much of what I learned and heard resonated with me, so much so that I actually spent some nights awake just to keep watching videos. 

It was crazy. Not a Responsible Average American Adult reaction at all. 

In the midst of this little adventure, I came to some conclusions. 

  • SB19 members were all very talented.
  • Their background stories were very compelling and make it easy to root for them and their success.
  • All of their songs, including “Tilaluha”, which was not a commercial success when it was released, exhibit the talent that SB19 has as a group. To this day I am not sure why “Tilaluha” was not a hit (it had all the elements of a really great OPM track), but frankly I think this has more to do with the prejudicial issue of the group being classified as Pinoy Pop than with its and the members’ actual merits. This song, if described instead as being sung by a small group or something, may have had a chance. 
  • The “Get In The Zone” EP was a good introduction to the members, their abilities, and their versatility as a group. Even though their talent was at the forefront in this album, there was still a timidness to their approach. I have seen their songs from this EP performed on the WishBus and marveled at how much had changed. Not only were they very young during this time; it was as if they themselves were not quite sure of where this journey will lead them. There was also no audience watching them or cheering them on outside (it is definitely not like that anymore). It was, perhaps, when I was watching videos from this time period that I felt very sad that I didn’t know of their group then. Even from just videos, there was a self-consciousness about the way they carried themselves, as if they’re bracing for more disappointment, and that despite the exposure and support that came with the “Go Up” dance practice video going viral, that it could still be taken away in one second. 
  • I understand why the “Pagsibol” EP propelled them to new heights. I don’t think it’s a coincidence that it was when the members were given full artistic freedom in terms of calling the shots on the songwriting, producing, and MV creation that they became successful. The “Pagsibol” EP reflected a growing confidence in themselves, in what they can offer the world, and in their craft. Had I been familiar with “What”, “Gento” may not have surprised me as much. “What” was an anthem. A declaration. A statement. And “Mapa” needs no words. It’s a song that seems deceptively simple, a dedication to parents, but its lyrics, the harmonies, and the emotion with which that song was recorded are **chef’s kisses** 💋💋💋
  • That being said, I believe that their “Pagtatag” EP is actually one of the best, most composed, most confident albums that I’ve ever heard, in any genre, in my whole life. Collectively, the songs in the album showcased everything that SB19 is good at, and even more. There is not any point in this EP that I would skip a song and listen only to my favorites, because they are all just THAT good. “Gento” and “Crimzone” are modern hype songs that would appeal to those looking for something upbeat and danceable, which explains why international fans love these songs and content creators clamor to film videos featuring these songs. “Freedom” feels like a tribute and a callback to their earlier work, “Go Up” and “Alab”, very noticeably pop-py in an album encompassing different genres, upbeat and light. “I Want You” is, for lack of a more appropriate descriptor, a babymaking song (because I have no doubt there will be many babies created while that song is playing). It is a mature song, one that only a Filipino PPop group that is of more than legal age and unencumbered by the limits and restrictions that KPop idols are can make (because God forbid they make music which directly infers to sex or talks about sex). It is meant to seduce, but make no mistake: “I Want You” is a vocal showcase which highlights the easily distinguishable features of their voices, from Ken’s distinct low tone to his falsetto, Josh’s baritone, the full texture and warmth of Justin’s voice, the sensual grittiness of Pablo’s, and Stell’s magnificent range.

“Ilaw” and “Liham” are the standouts for me personally, and I’ll tell you some reasons why. 

1) The songwriting in both is very deep, heavy, and intensely Filipino. Pablo used words that don’t belong in conversational Tagalog. English subtitles don’t begin to convey the meaning and substance of those words. I have never heard the Filipino language articulated in a more beautiful, more eloquent, and more meaningful way.

2) The music that accompanied the lyrics perfectly captures the emotion of the songs. The instrumental swell in “Liham” conveyed more emotion than some song lyrics ever could. 

3) The way the songs were recorded felt very raw, very open, and very honest. Even the breath placements were so intentional. There’s a reason why reactors have cried over one or both of these songs. Multiple times. Seeing this performed live on video supports the idea that the way these songs were sung on the EP was a creative choice SB19 made, and it worked. They made me feel all kinds of feelings- it was almost too much. After the choked tension of “Ilaw”, “Liham” felt like its cathartic and releasing breath. 

4) The songs tackled subjects that are not always sung about. “Ilaw” discusses issues like anxiety, depression, acceptance, and identity. It speaks about the price that the boys may have had to pay for fame and their struggles with being able to express their fears, their doubts, and their insecurities. It speaks of the universal desire to be seen, heard, and understood.

“Liham” is a love song, but not just “I love you and this is what I want to do to you/with you” love, but love in its most complete sense: unconditional, all-encompassing, and infinite. “Liham” is a promise, a commitment, and a covenant. Something about it feels almost reverent. This is the type of song that would make anyone believe in love and want that kind of love. Or, for those who have experienced a broken heart, make them wonder if that kind of love is even possible. All I know is that it never fails to make me cry. 

The Concert

When I found out that SB19 was already doing a tour in the Philippines with dates set in North America, I didn’t even consider going at first. I knew the shows were going to be in major cities, more than likely in states that had large Filipino populations. Though I was raised in New Jersey, I now lived in North Carolina (there aren’t many Filipinos here), and I had so many professional and personal obligations that I can’t just put aside to travel (or so I kept telling myself). 

But, as the dates for New York and Washington DC drew close, I was almost beset with panic thinking I may be missing out on an experience I should not miss out on. By this time, I’m religiously following Twitter since I was voting in the Billboard Fan Army Face-off, and I kept seeing clips from all the other concerts. It was almost painful knowing they were going to be in the US and not being able to see them. 

So, I decided, at 2 a.m. while late night bingeing on all the SB19 material posted on YouTube, to bite the bullet and buy a ticket. An SVIP ticket- I wasn’t going to miss getting a picture taken with the group or being able to enjoy the souncheck. I had considered the New York City venue due to its proximity to my family, but I realized that I was not going to be there long enough for it to matter. It was also General Admission standing room only, and try as I want to soldier on with this, I knew my no-longer-20-year-old knees would protest this choice. So it seems the decision was made for me: Washington DC, here I come. 

I knew no one else who listened to SB19 and would be willing to make the trip and attend the concert with me, so I made plans just for myself. I researched my driving route (4.5 hours, no worries!), hotels close to the Lisner Auditorium, Uber rates, and DoorDash meal options. I made reservations and updated Spotify driving playlists. I ordered small gifts to give to the members. 

I was ready. 

I set out from NC around 9:30 a.m., hoping that by the time I arrived at my hotel in DC that I would be allowed to check in. Well… I had forgotten how bad traffic is starting from Virginia to Maryland to Washington DC, and the trip ended up being more towards 6 hours. The only lucky thing was that by the time I got to my hotel, it was check-in time, and street parking behind the hotel was open and free (I would have otherwise had to pay $100 just in valet fees). I had no plans to use my car at all while there, so I lugged all my belongings in a cart and went to my room. The only thing I had planned that night was to order a meal, put on a movie on the hotel TV, assemble the gift bags, and write a note to each member. 

Josh needs a pet LOL!

It was supposed to be a relaxing night. However, it seemed the excitement was too much for me. I slept for only 3 hours with plans to nap before the concert, which didn’t happen, despite my best efforts. I think I may have closed my eyes for 15 minutes when my alarm went off, and I had to get ready. 

I took an Uber from my hotel to the venue (only about 10 minutes away), and I saw upon arrival that there were already people in line. Most were Filipinos, but there were also Americans in the mix. Either way, everyone was happy and excited. Everyone had smiles on their faces. We were all glad to be there. 

The A’Tin came out in full force with goodies to hand out to the audience in the form of cookies, photo cards, bracelets, keychains, and light up sticks. The generosity was amazing. Imagine if there was someone there who wanted a souvenir but can’t afford to buy one? They had that covered. People at first just chatted amongst themselves and their own groups, but soon, everyone was talking to one another. Strangers became not such strangers, united in our love for SB19. I even met another nurse who worked in the same hospital I recently started work at! It was amazing listening to everyone’s stories as to how they got there, how far they traveled, and who they were looking forward to seeing the most. 

I joined the line around 2 p.m., and we all were not admitted entry into the site until about 3:30 p.m. It had been hot outside and most people there didn’t eat before coming, but no one was irritated or grumpy. We all waited patiently and breathed a sigh of relief when we entered the air-conditioned auditorium. 

Lisner Auditorium has about 1500 stadium-style seats. It wasn’t a huge venue, but this was, for me, better. It felt more intimate. By the time the soundcheck started, most SVIP ticket holders were in their seats. The mood in the room hadn’t changed. I found myself chatting with the people sitting next to me (shout out to Pat and May from MD for buying my fan for me since I didnt want to leave my seat) as we excitedly anticipated what was about to happen. 

I was scrolling on Twitter for updates on the Fan Army voting when, from the corner of my eye, I saw SB19 casually walking onstage. I was so surprised I jumped out of my seat. They started with “Gento”, then “Crimzone”, then “SLMT”, with bits of conversation with the audience peppered in between their songs. There was opportunity to get pictures taken, ask for autographs, and, most importantly, see the members up close. 

I know I’m talking about this very lightly, but believe me when I tell you that this experience cannot be encapsulated into words. 

My first face to face impression was admittedly and embarrassingly shallow: the members are even better looking in person than in videos. They were so handsome (yes, all of them!) it was almost annoying. My mind kept going back to the videos where I saw that their haters have said that they’re ugly and I’m literally like What?!?! I have no idea what they’re comparing these men to, but they are so far from ugly it’s like ugly is in another galaxy. Even dressed casually, their stage presence was strong. They were warm, humble, authentic, and charismatic. They looked genuinely happy to be there, and my fangirl heart swooned every time any of them smiled, to be honest. 

They also sounded better live than in any recorded version. I already knew this having consumed all their videos in my 6 week stupor leading up to the concert, but I was still taken by surprise. There was so much energy even in their soundcheck performances I almost forgot the concert hadn’t even started yet. Regrettably, they had to exit the stage, but soon enough the photo op started. 

By the time my row was up onstage for our turn, I had already begun wondering where I would be in this photo. I ended up standing behind Josh, with Ken, then Stell to my right. I was able to speak to all three of them and didn’t even pass out when I looked them in the eyes. I was very proud of myself for this (please slow clap for me). I only mentioned that I had dropped off their gifts with the merch table, and they were all very gracious and thankful. When the photo op was finished, we all went back to our seats to wait for the concert to start as VIP and regular ticket holders came in and found their seats. 

There were 3 opening acts before the concert, and they all did a great job at keeping the energy up in preparation for the show. By the time the opening beats to “Gento” played, the crowd was more than ready to see SB19. I looked around and, for a moment, was absolutely captivated by the blue lights illuminating the crowd. It was unbelievable, really, that we were all there, young and not so young, from hugely diverse backgrounds, singing songs in Tagalog and English. TOGETHER. It was a scene I can honestly admit I never imagined I would see. SB19 managed to bring all of us together, in the same space. There were no fights and no conflicts; there was only joy, positivity, and awe. 

The setlist combined all the songs from the “Pagtatag” EP with their classic hits, and I can tell you that every song was performed to the highest standard. They performed with so much care and so much love,  and the audience felt it and gave it back in return. Even in the absence of back-up dancers and a fancy light production, they filled the stage with SO MUCH, it actually felt like I didn’t pay enough to see them perform, and to see them perform from this close. It often felt as if I could look into their eyes (especially Josh, who spent most of the show on our side of the stage). 

Their solo performances felt very special. Stell wowed with his rendition of “Defying Gravity” and Justin with “Little Things”. Ken performed “Criminal” and “Straydogs”, fully exhibiting the deep bass that he is best known for. Josh showcased “Get Right” and “Wild Tonight” with so much charisma it was unbelievable. Pablo finished the solo section with “Kumunoy”, an unreleased track which, translated to “Quicksand” in English, speaks of uncertainty, doubt, and the feeling of never being enough- subjects, certainly, that Pablo has discussed many times over in previous interviews. 

The concert drew to a close with “Freedom”, but not before the group addressed the crowd to thank all of us again for coming to the concert. I know the little conversations between performances allow them to rest between more energetic numbers, and this is something I’ve seen artists employ often. But with SB19 it felt different. It really felt like they were speaking to us personally, not from idols to their fans, but as friends and family. You can tell that they were very grateful that we were there, that they appreciated our appreciation of their craft, and that everything that was performed that night was their gift to us. 

It wasn’t until they had exited the stage and strains of “What” came on and the members returned that I had a somber realization. SB19 will be better known and more successful soon. I know this for sure. As the group becomes more confident and more self-aware of their talents, this will carry over in their work as they establish their identity not only as P-Pop Kings but as global artists. I have no doubt that Stell will release solo work at some point, as will Justin. Soon enough, SB19 will be a name that will be known all over the world. 

All these are good, so why the somber realization?

It was because I knew without a shadow of a doubt that there will come a time when their venues will be massive, and this may be one of the last tours where we, as their fans, can selfishly enjoy them to ourselves, up close and personal, with sometimes only inches between us and them. Make no mistake, I am manifesting this success since there’s no one else that I feel is more deserving of it, but for one brief second, I felt a sharp twinge in my chest. I assume it’s what some A’Tin may have felt when the group started gaining traction in the international scene: a sense of bittersweet pride and happiness. 

To love is to let go. To let the people you love grow and develop into their best and happiest selves. To allow them to soar and achieve their highest potential. 

This time will come and is, perhaps, already coming for SB19 and their fans, but not quite yet. At least not for a short while. 

Final Thoughts on the Concert

I’ve seen people on Twitter bemoan the lack of backup dancers, lights, and a more magnificent stage, but to me, those things would have just been enhancements. The fact that it was only SB19 performing and giving it their all made it feel more special and more personal somehow. 

The concert had been amazing, exhilarating, and, for me, life-changing. The energy in the auditorium was unlike anything I’ve ever felt before in such an event. It wasn’t just the enthusiasm with which the group performed and the audience reciprocated; it was the camaraderie within and among the audience and SB19. This is the good stuff, guys. The stuff that makes you believe that maybe, just maybe, most people ARE good, and we can all live in a world where we are all important, regardless of where we came from, and the differences between us are what makes life richer and more interesting. 

SB19 made people smile with joy and dance with abandon. They united people from all parts of the USA and abroad and encouraged us to sing with them. They gifted us with their warmth, their humor, and their talent, and they did so without compromising their art or pretending to be something other than what they are and always have been: proudly and wholly Filipino. 

After-Thoughts to the Final Thoughts

In the aftermath of the Washington DC concert, many things have happened. The members toured Washington DC and visited the Philippine Embassy. They eventually ended up making a second appearance on “Good Day, New York” before flying out to Canada for that leg of their tour. The WishBus released the “I Want You” live performance that we’d all been eagerly anticipating. The members held a very late IG live session where their true personalities were again shown to their fans, as they talked about random, and, at times, unexpected topics and had since then also given us individual lives on Facebook from Pablo and on TikTok from Stell. 

What can I say? SB19 is the gift that keeps on giving. 

It was somewhere in the middle of this extravaganza that the A’Tin, SB19’s dedicated and loyal fan club, clinched the win on Billboard Music’s Fan-Army Face-off, beating SEVENTEEN’s Carats by a very close margin. 

It was supposed to be a purely joyous event, one that places the spotlight directly on the first time that a Filipino artist’s fans claimed a victory in a very international stage. The A’Tin have always had a clear goal: to not only prove their strength as a fanbase, but, more importantly, to widen SB19’s audience so they can then fulfill what had always been their defining and overarching purpose- for Filipino music to break into the global scene and to allow other Filipino artists to be recognized and Filipino talent to be appreciated. 

This notion was simple enough. I mean, who wouldn’t stand behind that? A lot of people, it seemed. And, sadly, most of the negativity that has stemmed out of the post-BBFA win were from Filipinos themselves. 

For me, as someone who had been far removed from all things Filipino before SB19, it wasn’t just the pettiness of the comments and the bitterness with which the other fandom vocalized their opinions on SB19 that was disturbing. It was the lengths to which they were spewing vitriol on not just the fans, which, sure enough, after a loss would be understandable, albeit immature and unsportsmanlike, but against the members themselves. 

No, SB19 is not entitled to their support because they are Filipinos, but doesn’t that achievement in itself spark any kind of pride at all? We all know, even those of us who are now living abroad, how hard life is in the Philippines. We know that people struggle to eat and live and build a life there. But guess what? SB19 knows, too. They’ve all experienced those hardships. They, too, know and understand the struggle that comes with the Filipino experience. Most of them have had to deal with the themes that all Filipinos are familiar with: duty, compromise, and sacrifice. They themselves have had to rise above criticisms and judgments from people in their own country, and all because they dared follow a dream. 

I was well aware of term “crab mentality” when used among Filipinos, wherein other crabs in a pot won’t allow the other crabs to survive by pulling them to certain death alongside them, and what I was reading still surprised me. The Filipinos I know, those that I have grown up with in the US, those I have spoken to from other countries outside the Philippines, are jovial, pragmatic, God-fearing people, for the most part. Yes, there are some now and again who are not always like that (especially myself, with the jovial part), but I have never personally experienced this toxicity, at least not from such a close vantage point and against a group that has only ever portrayed themselves with humility and professionalism.

It’s such a paradox to the way Filipinos support athletes almost unequivocally, like Manny Pacquio, and other Filipino artists and celebrities who have broken into the global scene using more traditional methods that Filipinos have always been known for (i.e. through Broadway or beauty pageants.) I mean, Filipinos wouldn’t choose to support other countries in the Olympics when their national team is representing them, so why is this any different? Where has the “Pinoy Pride” that has long been instilled in me- pride for my country, my roots, and my countrymen- gone?

It made me wonder… what was it about SB19 that triggers such love and hate in equal measure? For me, the answer was clear. It was because they dared excel in an arena that most people, even Filipinos, have deemed only suitable for foreign artists. They were the first to step into a genre that some people believe they had no right to infiltrate and succeed. And being the first of anything, especially in a country long resistant to change, is a very difficult thing.  

Most Filipinos that I know, including myself, are averse to Things Not Staying the Same. It’s why the patriarchy still rules in a country that knows that at the base of each family is their matriarch. It’s this belief that boxes a lot of Filipinos into stable, albeit not very soul-satisfying, professions. But it’s not all bad – it’s this same loyalty to traditions that still upholds the tenets of the Filipino heart. It’s what allows Filipinos to leave whole families behind in pursuit of a better life, to withstand the hardships and pitfalls of being a foreigner in a strange land to be able to help those they love. 

I have bad news for people who hate SB19 though: this is also what they are doing. The very thing that Filipinos celebrate in the average man is now loathed in those who are doing it center stage. Perhaps it is the fame and the assumed fortune that they despise. Perhaps it is painful to see others succeed while still going through seemingly insurmountable challenges. I’m not entirely sure since I cannot personally understand, but I would like to try giving the benefit of the doubt; otherwise, the hostility just seems childish, senseless, unnecessary, and unkind. 

Everyone is entitled to their opinions. People can dislike SB19. They can even hate their music. However, I believe that this is no justification to berate, belittle, insult, and slander them. As an audience, we are not entitled to their lives. We do not have the right to judge their characters unless we know them personally. We do not own them, and they should not have to bow down and acquiesce to anyone just to be accepted by their countrymen.

I cannot control other people and how they behave, but what I can do, as a fan and a fellow Filipino, is to continue to support them, wherever and however far this journey takes them. I will continue to share SB19 with anyone willing to listen and attend their concerts as often as I can, whenever I can feasibly do so. Pablo, Stell, Ken, Josh, and Justin, along with their music, have given me an amazing gift; it is through them that I felt the desire to reconnect with my roots and embrace and be proud of the fact that though raised in America, it is a Filipino heart that beats inside me. I am built from my parents’ struggles and victories, and their parents’ struggles and victories. It is being Filipino and having a strong Filipina mother that taught me to be hardworking, loyal, and steadfast. There is pleasure once again in speaking and singing my once native language and hearing it spoken back to me from Filipinos and non-Filipinos alike. It’s with my Filipino eyes that I’m able to see the good in life despite heartbreaking failures and immeasurable tribulations. No matter where I am, my soul will always be Filipino. 

We all have similar experiences. It’s this history and these values that tie us all together; after all, no one knows what it’s like to be Filipino and what it means to be Filipino better than we do. I only hope that at some point we all manage to set aside our differences in opinion to focus on what really matters: allowing those who can elevate our culture to do so with pride and with the knowledge that we will always be there for them, whether in the Philippines or abroad, and that we will always provide a soft place to land, if ever they should need it. 

As for SB19, they will never have to worry. They have already paved the way for other Filipino artists to be recognized in the international music scene and have raised the Philippines’ flag for all of us, even those who cannot see or appreciate it, and their place in the Philippine music scene as pioneers and risktakers is locked in and cemented in stone. They will always be the P-Pop Kings, and I, along with all their fans all over the world, will always, always, have their backs.

WELCOME!

If you found yourself here, then you must be a proud A’Tin or someone just getting started on your SB19 journey. Whether you are an OG or a baby fan, you are welcome here! SB19 has a very strong presence in social media, and sometimes, we may just want everything in one page, so I decided to create this blog to do just that, or, at least capture as much information out there onto one place to make it easy for everyone. I will also move my SB19-related blog posts from my personal blog onto this site.

Enjoy and please don’t hesitate to message me for any inquiries!

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